PARIS — For Victoire de Castellane, Dior’s haute couture tradition is an infinite resource of inspiration. Witness her most recent assortment, Dior Print, which accomplishes the technological feat of transposing fabric patterns this kind of as stripes, floral styles, checks and tie-dye on to a few-dimensional substantial jewellery parts.
The French vogue house unveiled the line, which at 137 parts is its premier superior jewellery collection to day, at a gala party at the Grand Lodge Timeo in Taormina, Sicily, on Saturday.
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Types sporting ivory-colored dresses created by Maria Grazia Chiuri, Dior’s creative director of womenswear, posed like Greek statues through the cocktail part of the function. Meal, held on a terrace superior in excess of the Mediterranean, was adopted by a runway show where monochrome attire set off ornate necklaces in the condition of vibrant ribbons.
Courtesy of Dior
Throughout a fitting in Paris two months just before the function, de Castellane said she cherished the strategy of exhibiting her creations on dwell designs.
“All of a unexpected, the jewelry seriously will come into its own for the reason that it is worn, mainly because the light-weight catches the models’ gestures — it is alive. Insofar that we’re a couture household that makes jewelry, there’s no motive not to blend the two. For me, it’s a no-brainer,” she said.
Movement is at the coronary heart of her styles, which represented a new obstacle for the house’s workshops in Paris, which had been needed to adapt the dimensions and location of the stones to reproduce the print motifs in miniature on curved surfaces. “When ribbons undulate, the print must adhere to,” the designer stipulated.
Interlocking ribbons in floral prints and rainbow-hued stripes of precious stones type the masterpiece necklace, which will come in three shades of gold and is articulated making use of a specialised method borrowed from watchmaking.
“I adore toying with the residence codes in each individual collection. Since we’re a fashion dwelling, I’ve performed a lot with the movement of ribbons,” de Castellane described. “We’ve hardly ever accomplished printed ribbons, and I considered it was fun to blend in the distinct motifs.”
Courtesy of Dior
Other items are established close to stunning heart stones, like the 8.02-carat lilac sapphire from Madagascar on the pistil of the Dior Print Emerald necklace.
De Castellane combined the new models with variants on former collections, like the Dior Dior Dior line from 2018, which explored lace Tie & Dior, the 2020 selection concentrated on textile dye effects, and her most recent, Galons Dior, inspired by braids.
“I like to blend collections from distinct family members for the reason that I assume it also demonstrates shoppers that they can live with each other,” she stated, noting that she reprised a cushion shape for a ring in a checked motif manufactured of diamonds and sapphires.
Her playful contact was apparent in a diamond and emerald piece with a briolette centre stone that she stated looked like it was “dipped in mint syrup.” Another showcased a sapphire middle stone, the blue spilling above into an asymmetrical arrangement of diamonds and smaller sized sapphires. “I designed it as if the stone was on blotting paper. It is ‘leaking,’” she said with a smile.
In addition to seasonal collections, de Castellane makes a continual stream of a single-off styles, which can be commissioned by the substantial jewelry workshop that is now housed at Dior’s renovated flagship on Avenue Montaigne. “We make guaranteed there are one of a kind parts arriving all 12 months extended,” she explained.